I promised, I will go ... [Ya obeshala, ya ujdu...], 1992

I promised, I will go ... | Ya obeshala, ya ujdu...

Year		1992
Country		Russia Israel
Director		Valerij Ahadov
Screenwriter		Evgenij Kozlovskij
Producer		Ismail Tagi-zade
Operator		Vladimir Dmitrievskij
Composer		Mikael Tariverdiev
Artist		Vyacheslav Vidanov Svetlana Sladkovskaya
Editor		Elena Klimenko
Genre		Drama [play]
Duration		89 min. / 01:29
Actors		Elena Korikova Zurab Magalishvili Sofiko Chiaureli Pavel Semenihin Natal'ya Korogodova Oleg Shklovskij Badri Baramidze Irina Akulova Igor' Pushkarev Karlo Sakandelidze
Rating		6.96 / 10 [votes: 81]
IMDB Rating		2.10 / 10 [votes: 7]

Meeting with Georgian guy distract hopelessly sick girl from the experience. With his parents' heroes travel to Israel for medical advice. It turns out that she is healthy. It seemed that life was adjusted ... But their happiness does not last long: to replace the sadness comes another one ...

Review

Once seen on television movie Valery Akhadova initially perceived as a "burning tears of melodrama" (not a coincidence that in 1994 Ahadov arranged in Magnitogorsk, which was working in the theater, a special film festival more noble name "Crystal Tears"). But here's an unconventional ending with voluntary death of the heroine, which still could not meet even rash promise to his beloved die, made quite a different look at the tape.


Valery Ahadov works pretty smoothly - successful pictures ("Who is going to Truskavets?", "Family Secrets"), and not very successful ("Ruth") alternate with all checkpoints, random, supposedly removed forcibly. And in the film "I promised, I'll go ..." to detect signs of unpretentious, negligence, haste, though hectic period "mnogokartinya" that occurred in the late 90's, it seems to not only set out clearly and intelligibly, but also as Development of the more stylistically justifiable and artistic interpretation.

This band started as usual melodrama about a girl from somewhere in the Urals, who accidentally discovered by a local doctor that she had, in all probability, breast cancer - and to live very long. Then the story gets adventurous (crazy ride in his car to the Black Sea, the deception of the young businessmen of Georgian) and romantic (the meeting with the beautiful and noble prince - the future architect Tomaz actually belongs to the family of the Georgian princes). He appeared as if from their own dreams girls, but their love of the "on the edge of the abyss" and amid the beauties of Tbilisi and Tel Aviv to give her the necessary history "touches hysterical" - just like in the play "The Lady of the Camellias", excerpts of which we sometimes wedged into the narrative.


But modern Violetta, by the way, amazingly thin, delicate and exquisitely played by Elena Korikovoy another three years before her success in "Mistress into Maid" is neither a lady of the demimonde, inexorably fading from consumption, or (later discover) terminally ill, which surely must leave her Armand. However, the gap between the two lovers, who had already combined seemingly doomed marriage, it is still going on - and not metaphysical, but by long-known issue of class (and ethnic - part of a new, post-Soviet) prejudice.

And instead of suffering, and the final happy reunion parted loved ones, whose ways and views about again intersect at one point and now forever, is something that breaks the traditional system verified melodrama. Of course, "Lady of the Camellias" can be seen as a case avtoevtanazii, slow mortification. But the young heroine of the novel Yevgeny Kozlovsky, served as the basis for the film Valeria Akhadova, passes away quietly, as if just fallen asleep on the seat coaches still solves it in an instant, dramatic force of will, and most importantly - a sense of self-esteem: "I promised, I'll go! ".

If it were not for the music ... It was Michael Tariverdiev music, even for him, not quite familiar instrumented (just like the style of Oleg Karavaychuk in the 70's), originally perceived as an imbalance of this sad story, gradually perceived even in the harmonic terms. She - as a kind of hymn to light detachment of being, which is not completed abroad death, and goes on and on in a different time and place, in the infinite otherness. And the transition to those unfamiliar with life outside is not terrible, but at peace and rest. Most Tariverdiyeva not become in this world in 4 years - but there was his music, as the good news from wherever, promising or not promising, they leave.